Why black tiles are surprisingly good for brightening things up

The darkest colour can have a startling effect on light

Interior designer Nicola Harding uses black tiles throughout this charming riverside house, she has used them across three spaces, in various hues. Here, black bejmat tiles from Emery & Cie provide a dramatic backdrop for a handsome 19th-century table and vintage painted stool. The woodwork in Pure & Original’s ‘Aubergine’ and the old factory light is from Matthew Cox.

Paul Massey

In the fashion world, black is a colour that's consistently favoured. Black clothing lines the rails of some of the world's chicest wardrobes. It marches down catwalks year in, year out. It is a synonym for sophistication and a French sensibility–but in interiors, black tells a different story.

Inside the house, black is seen as a scary, slightly formidable colour. In contrast with its status as a wardrobe neutral, it takes on an identity as a gothic, grungy hue. It is associated with the bedrooms of hormonal teenagers and dank bathroom corners. But change is on the horizon–and we've spotted black cropping up more and more in a very specific form, with interior designers and tastemakers alike lining the floors of dark spaces with black, shiny tiles.

Schumacher's Textured Check woven paper wallcovering and Hoxton porcelain tiles in black gloss from Mandarin Stone create a dramatic monochrome look in the hallway of Benni Frowein's house.

Michael Sinclair

In Benni Frowein's flat, the CEO of Schumacher Europe has employed glossy black zellige tiles in his hallway. Thanks to their shiny surface, they reflect the light from the east and west windows and their colour morphs from a deep black to a bright white. “During the day, it's absolutely stunning," says Benni, “and during the night, in dimmed light, it makes the whole space very glamorous. It adds drama when entering the apartment, too. I love a proper entrance that sets the tone for the rest of the apartment.”

Whilst they may look delicate, Benni actually “chose tiles over marble because they're more practical to take care of. They also feel younger and less conventional."

A Regency sofa from Howe London and mid-century drinks cabinet from Lorfords make this an inviting spot to linger.

Paul Massey

Interior designer Nicola Harding is also partial to using a black, glossy floor tile. In this charming riverside house, she has used them across three spaces, in various hues. Above, in this potentially difficult, narrow room, the reflected light draws the eye into the next room, making it feel more spacious. The floor beyond, in the dining room, has been covered with teal bejmat tiles (the sturdier cousin of zellige tiles). They lend the space a relaxed glamour, and echo the river beyond the windows.

A similar effect can be created on black and white patterned floors. Below, two rooms with decorative floor tiles bounce the light around and brighten up the spaces.

A combined sitting room and bathroom in this converted convent in Tuscany is fitted with with hand-painted floor tiles. A shower hides behind a screen and the loo is concealed in a painted cupboard.

Simon Watson

After living in Milan for five years, British fashion designer Ashley Fletcher fell for a 16th-century villa in Piedmont. This has become a creative playground, where he has allowed his imagination to run wild with remarkable results. Variations on these striking graphics feature on marble mosaic tiles on the walls and floor in the bathroom.

FRANCESCO DOLFO/LIVING INSIDE

Here at House & Garden, we hear a piece of advice from the experts time and time again: if you have a light-starved space, lean into it and choose a dark paint colour. There's no point fighting what the house is offering. A glossy, black floor tile feels like the perfect choice, then, allowing you to work with the house, whilst helpfully bouncing light around. Sometimes the best results come from the boldest decisions.